How the Luminescence Series was born
While the technique is new, the intent and preparation I have been using for the past six years are not. I get many flashes of images while meditating and sometimes colors as well.
Selecting the colors for one of these paintings is interesting. I always ask my longtime Spirit Guides, Gabriel, Raphael, Aerial and Uriel, which to use. If I have a question about adding or removing a color, I simply pass my right hand over the bottles of colors. If my hand gets warm it is a ‘yes’; if I get no response, it’s a ‘no’.
I am spiritually guided during the entire process, which is very involved. Before applying the paint, I use tuning forks to harmonize all the colors, the blank canvas and my Self to confirm we are in harmony. I ask for guidance from my longtime Spirit Guides, who tell me where to place the colors on the canvas. Then I move my Self out of the way, slow my heart rate, take a deep breath and begin the painting in silence.
The Guides tell me how to move the paint on the canvas and when to stop. The next day I notice the Spiritual Realm continued to move the paint overnight to assure that all the information is correct. Then I seal the painting.
The images in these paintings are large, soft, and subtle, and the colors blend in a new way. Some early comments: “I see the opulence of the rain forest with its density and bright colors”, and “Reminds me of Lemuria”, “They are so inviting, makes me want to step into the painting”, “I get a warm feeling when I Iook at these, kind of like being with a good friend”. So I’m off to learn more about Lemuria!
I mentally fall to my knees in gratitude for being the instrument through which comes such amazing art.
